1.Rock The House // 2. King Of Rock // 3. You Talk Too Much // 4. Jam-Master Jammin’ // 5. Roots, Rock, Reggae // 6. Can You Rock It Like This // 7. You’re Blind // 8. It’s Not Funny // 9. Daryll And Joe (Krush Groove 3)
It’s 1985 and Run DMC releases its second album. The first album brought a whole new sound to the fledgling Hip-Hop genre. The eponymous debut was the first real Hip Hop album (as opposed to singles and compilations that were released prior) and so there were certain expectations for their sophomore album. Would the group still have its big beats, loud MC-ing, guitars and Jam Master Jay on the wheels of steel? Would Run DMC still have that edgy sound? Or would they switch up their style and once again revolutionise the genre, like they did last time around?
At the time of release this album became a commercial hit but that doesn’t answer any of these questions.
After repeated listens I did manage to find some answers.
Rock The House, announces itself with the expected big beats, accompanied by subtle rhythmic patterns. The MCs introduce themselves while the sparse sound is impressive. This track sounds fresh.
King Of Rock is the title track and filled with big beats, guitars, rhyming and has a rock-sound that slightly awakens my inner head banger. This track sounds so righteous in the description Rock-Rap. As I’m writing this track is on repeat for the third time in a row. DMC brags “And I even make the devil sell me his soul” and makes it sound believeable. So far this album is pretty bad-ass and meets the expections one has of Run DMC. The urge to play air guitar on the ending of this track helps make it a guilty pleasure. Seriously, give me a guitar!
You Talk Too Much is the third track and kind of brings the momentum to a halt.
Peep the chorus:
You talk too much.
You never shut up.
You talk too much.
You never shut up.
Guess what this track is about? Seriously this poppy sounding rapping over a typical instrumental, dissing people who talk too much after Rock-Rap awesomeness is part of the album? I’d rather read an entire phonebook than ever listening to this one again, less boring and repetitive. Apparently the song was a success in the 1985, but so were glow-in-the-dark spandex pants. Jam-Master Jammin picks up the pace again. Beats and samples with rock guitars shredding, sounding more enjoyable. Some rhyming by Run and Daryll and all is all good again, for now at least.
Roots, Rap, Reggae follows the raw beat driven sound with relaxing beats and a positive message. Yes alcohol and drugs are dangerous. Tell me something I don’t know… Can You Rock It Like This starts off sounding very poppy. A synthesizer, guitar and drum machine support the MCs in a track that rants about fame and being in the public eye. Lyrically this track is very interesting. Added bonus, you can dance the robot to it! Instrumentally this track is remarkable. It sounds Pop, has a disco feel with a Rock edge and manages to be is both catchy and lyrically meaningful. I’m slightly stunned by the awesomeness
You’re Blind is a soft-rocker with raw beat driven sound. The title should warn you but basically Run and Daryll talk about how people on the wrong path of life are “blind”. The epitome of preachy on this album.
It’s Not Funny, follows. It’s basically about dealing with setbacks in daily life. A preachy and bland low point, yet not so bad that you can’t practice your street dancing moves to it, if you ask me. Jam Master Jay’s productions is quite comical though. At least the humour isn’t lost in the sample.
Daryll And Joe closes the album. It’s a good closer since the lyrics are less preachy and more down to earth than what comes before it. Daryll: “I’ve got more hats than the mad hatter”. Instrumentally “Daryll And Joe” is a slow jam, groovy with some exceptional samples that give an epic feel to the overall sound.
Jam Master Jay made something special of this track.
After a few listens the album grew on me, even if though it is a mixed bag. The first two tracks are great. Jam-Master Jammin up to “Can You Rock It Like This” are good listens too. You Talk Too Much is godawful. The preaching continues with You’re Blind and It’s Not Funny and Daryll And Joe are a good closing round. Basically their sound hasn’t changed at all, Run and DMC are still loudmouths. And the when Jay summons guitars there is a pleasant rock edge present.
The lyrics are still mostly preaching nursery-rhyming and rapping, and sometimes the duo overdoes it to its own disadvantage bordering on self-parody. I get the Sesame Street feel with the childish You Talk Too Much which makes me understand why some people don’t take this old school trio serious as lyricists and call Run DMC ‘party’ rap. I tend to disagree because Jam Master Jay’s skills behind the boards are taken out of the equation in that way, which should elevate the group to a higher status. He made some changes to his sound on this album: more variation in the samples, more intertwining rhythm patters, more layered cuts. If anything, I’m amazed by his skills on albums from almost thirty years back and it is mostly his show.
Rock The House
King Of Rock
Can You Rock It Like This
Daryll And Joe
Considerably less good than the debut, still consistently listenable with some gems of stand-out tracks. Yes.