1. Daftendirekt // 2. Wdpk 83.7 fm // 3. Revolution 909 // 4. Da Funk // 5. Phoenix // 6. Fresh // 7. Around The World // 8. Rollin’& Scratching // 9. Teachers // 10. High Fidelity // 11. Rock’n Roll // 12. Oh Yeah // 13. Burnin’ // 14. Indo Silver Club // 15. Alive // 16. Funk Ad
Daft Punk is a team up of two DJs who became popular in the early nineties. They were influenced by Funk, early electronic music, Techno and eighties Pop à la Roxy Music. Guy-Manuel de Homem-Christo and Thomas Bangalter a.k.a. Daft Punk were part of a new generation of so-called Dance artists like Basement Jaxx, Moby and Armand van Helden just to name a few. Continuing the list: Junkie XL, Air, The Chemical Brothers and you understand how fertile that period was for electronic music.
In 1996 their album Homework was released in Europe. In the U.S.A release followed in 1997. It was an immense success that put them on the map of the music world we know today. Their sound of Funk and Disco infected House and Techno still seduces unsuspecting people to shuffle their feet. I grew up in the nineties and Daft Punk’s work was part of the mainstream music channels like TMF and MTV (before reality TV took over what still calls itself Music TeleVision).
One presses play and Daftendirekt begins. A low voice makes its presence and after 35 seconds the beat starts. “Da funk back to the time, come on” is repeated and slowly the track unveils its full mix. Wdpk 83.7 fm is basically the radio promo that officially starts the album.
Revolution 909 starts with a thumping beat and sirens that introduces an infectious House tune. The samples have a retro sound to it. After 3:10 a short Techno interlude mixes up the sound after which the Disco infused House continues. Da Funk is a personal favourite track of mine on this album. The break-beat intro is so effective in luring one into the raw electronic groove. Big beats and break-beats are in a rare harmony that aren’t often heard. The electronic soloing in the middle of the track really gives this track a unique vibe.
Phoenix starts with dry beats, high hats follow and step by step the sounds make their introduction. Daft Punk want to lure you into their sound and successfully so, I am practically dancing on my chair. Fresh like water on a beach. Electric keys, beats and groove introduce me to Fresh. Again the layers of sounds just lure you in. This is more of a chill-out House track to which you can still dance or just read a book. The fade out, water on a beach…
Around The World changed many things. The video of for this track changed the world of music forever. The sound of this track was a groovy revelation in its time. This track gets people exited to boogie like MJ’s Blame It On The Boogie can do it. What’s left to add? 7 full minutes of pure electronic funky ecstasy. Rollin’& Scratchin’ is different. A repetitive dry beat becomes louder and louder while the samples slowly come together. If this track had screaming vocals and wailing guitars it would be Industrial, it is brutal yet listenable. Instead it is noisy Techno. It has a strange appeal one has to be in the mood for.
Teachers, the title tells you enough. Daft Punk mentions the names of those who inspired them. Over a break beat with a vocal sample so one can take notes before you start searching.
High Fidelity, back to beats and samples. A sample is looped and cut over one beat in various beats throughout the entire track. This results in a funky House track that remains remarkably fun to listen to.
Beats and hand claps introduce Rock’n Roll. Slowly an electronic noise repeats itself more and more. If Hard Rock would be turned into electronic music this somewhat matches my imagined outcome. A strange electronic sound wails like a lead guitar over the beats. Just like Rollin’& Scratching this track is brutal yet listenable. Oh Yeah follows as groove and a slow beat with a vocal samples slow down the pace. This track is a short transition to the last part of the album. But as a separate track it still stands on its own.
Slow beats, a strange noise and an old sample start Burnin’. This track is cool for its subtle effect while you are lured into another House groove. Daft Punk really know how to immerse the listener into the music. Even the most reluctant party goer cannot resist the urge to just dance. Indo Silver Club’s intro starts softly. After that the funky House groove takes you away. This is one of those tracks that immediately hits or misses. It sounds shy of bland but its hook can catch anyone off guard. I happen to have a weak spot for this track.
Alive starts and futuristic bombastic sounds enter make their entrance. The sounds come in one by one and at 2:08 the futuristic eighties Disco groove just takes the listener to another place entirely. This music could easily be a soundtrack for a chase in a Sci-Fi film from the eighties. This track is simply epic. Funk Ad closes the album. The outro for the album is a slow groove that slowly fades out with the sound of Da Funk…
Guy-Manuel de Homem-Christo and Thomas Bangalter produced this album to have a particular sound. When listening through headphones, AKG K500s I initially thought the album sounded slightly loud. Not brick walled just more emphasized lows and highs for a more exiting sound. On this album it works. Just be careful with the listening volume. A part from that you can hear the craftsmanship both DJs put in this album. But there’s one think I would like to know from you, if you can spare a moment: why the name Daft Punk?
Around The World
Indo Silver Club
This album, gives one the feeling of listening to a freshly copied bootleg of a Daft Punk gig. There is no filler to speak of, everything works and when one stops thinking the music takes over. Also, in its own way this album marked a new era of electronic music a.k.a. Dance. Even today this album still sounds fresh and different. Highly recommended…