Category Archives: Murder Inc.

Ja Rule – 7 Series Sampler: Pain Is Love

Ja Rule
7 Series Sampler: Pain Is Love
May 20, 2003
Murder Inc. RecordsDef Jam RecordingsUMG
065/100
Ja Rule - 7 Series Sampler
1. Always On Time (feat. Ashanti) // 2.  Down Ass Bitch (feat. Charlie Baltimore) // 3. Never Again // 4. Lost Little Girl // 5. Pain Is Love // 6.  I’m Real [Murder Remix] (feat. Jennifer Lopez) // 7.  Livin’ It Up (feat. Case)

Back in 2003 internet music bootlegging was just starting to become a thing (anyone remember Napster or Limewire?) and so, in an effort to seduce people who would otherwise steal music from the web, Def Jam Recordings came with a radical solution: the EP.

A little more thought was put into it than that, by re-releasing an album without all the filler they could sell it for cheaper and because  it contained mostly the hits no skipping was required by the listener (The first generation of iPods had just come out, so not everyone knew how to make a playlist yet.)

Ja Rule was still a popular artist by then, so he was an obvious candidate, and because Def Jam didn’t want the EP to eat away the sales of Jeffrey’s latest album The Last Temptation they decided to go for the album he had released before that one; Pain Is Love, which had sold millions of copies and had completely fulfilled its chart-potential by then anyway, it was a no pain, no gain thing.

So they trimmed Ja Rule’s Pain Is Love from most of it’s non-singles until only seven tracks were left in such a way they didn’t have to cut Caddilac Tah, Black Child, Boo & Gotti, Jodie Mack, Missy Elliott and 2pac any aditional cheques, added nothing, rearranged them and put the resulting disc in record stores worldwide.

This would seem like some typical record company bullshit, which off course it was. But it just so happens that Pain Is Love had about six tracks on it that could either be considered a good song or a hit single (with about two of them being both). So with that in mind one has to give Def Jam kudo’s for including not only the the radio hits (although the person in charge of compiling this disc would have had to have been pretty fucking stupid to fail to do that right.) but also the best non-single, the existentialist mental breakdown that is Never Again.

It has to be said though that may have been a fortunate accident in selection, because this EP also contains the two very worst songs of the original album.

Nobody ever wanted to hear Jeffrey do social commentary, even those that did buy his self-absorbed sensitive thug persona (and all of his albums) back in the early naughties, so what the hell is Lost Little Girl doing here?
Pain Is Love‘s faux-philosophical pity me, martyr-lyrics and a typically unfortunately brassy hook and glossy beat go a long way in showing why these days Ja Rule is mostly a punchline.

As for the hits; Always on Time is still classic pop-thug/ R&B genius, Livin’ It Up is still jiggy, wide-eyed dancefloor fun, I’m Real [Remix] still has Jenny from da Block coming off as real a Barbie doll and it still has Jeffrey coming across as a jackass hollering at sluts with a bottle of K-Y, but I’m pretty sure that said sluts still like this song, so that’s a thing. And Down Ass Bitch still has some singing on it so bad it makes you wish they used autotune as freely back then, as they do now.

Also it would’ve been very sympathetic if Def Jam would’ve included the hit version of Ja’s Put It On Me featuring Lil’ Mo off the soundtrack to the Fast and the Furious, considering there is no Ja album, studio or compilation, that has the version that anyone gives a shit about on it.

Still this is probably the most Jeffrey any casual listener will ever need, so if you absolutely must have a legal hard copy of Always On Time this is the way to go.

Best tracks
Always on Time
Livin’ It Up
Never Again

Recommendations
Since you can probably pick this up for the price of a second hand single, because this probably has the least shitty songs of any of his abums, bar his debut Venni Vetti Vecci, and because this has arguably the two best songs of his career you can pick this up. Just don’t expect miracles from a Ja Rule album.


Irv Gotti Presents: The Remixes

Various Artists
Irv Gotti Presents: the Remixes
November 5, 2002
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100
Irv Gotti Presents the Remixes

1. The Remixes [Skit] // 2. Unfoolish (Ashanti feat. the Notorious B.I.G.) // 3. I’m So Happy (Ashanti feat. Charlie Baltimore, D.O. Cannons & Young Merc) // 4. The Pledge [Remix] (Ashanti, Ja Rule, NaS & 2pac) // 5. O.G. [Remix] (Black Child & Caddilac Tah) // 6. Boss [Skit] // 7. Me & My Boyfriend (Toni Braxton feat. 2pac) // 8. Come-N-Go (Ashanti, Ja Rule, Caddilac Tah & 7Aurelius) // 9. Poverlous (Caddilac Tah)  // 10. Spanish Dancing [Skit] // 11. Rainy Dayz [Remix] (Mary J. Blige feat. Ja Rule) // 12. Moreno [Skit] // 13. Baby [Remix] (Ashanti feat. Scarface) // 14. Hard Livin’ (D.O. Cannons & Young Merc) // 15. No One Does It Better (Black Child, Caddilac Tah & Ja Rule) // 16. Remo’s Back [Skit] // 17. We Dem Boyz (Let’s Ride) (Chink Santana, D.O. Cannons & Young Merc) // 18. Baby [Remix] (Ashanti feat. Crooked I)

Remixes of tried and true hits and some added bonuses in the form of new tracks by Caddilac Tah and Black Child and some new cats (groan). 2pac involentarily pops up on two tracks, one of which, a Toni Braxton song, at least techically actually could have happened back in the ’90s because both Toni and Pac were around, and which started a beef between Braxton and Jay-Z who sampled the same pac song for his ’03 Bonnie & Clyde.

Scarface his vocals, featured first on a song called Mary Jane are reused for a remix of Ashanti’s Baby because the original already had stolen its beat already anyway. Then at the tail end of this dated novelty project a horribly miscast Crooked I re-does the re-mix in order to appear in full Ja Rule-capacity in its video, complete with mink coat. (I’m sure he doesn’t like it Joe, Joell and Royce bring that shit up.)

But hey some of the Ashanti tracks aren’t horrible, except for Unfoolish, which although it doesn’t sound bad, we had heard already on her own album, and which graverobs Biggie and morbidly puts him on the same album as 2pac, they’re all welcome additions to het catalogue. I’m So Happy more or less swipes the beat from the Gap Band’s Outstanding, which the original titled Happy did in a much more subtle manner, and The Pledge [Remix] replaces Caddilac Tah with NaS (no complaints there besides the 2pac thing.)

Besides Irv ruining Jeffrey’s Mary J. Blige duet Rainiy Dayz nobody does anything else worth mentioning so I’mma call it a day.

Best tracks
I’m So Happy, The Pledge [Remix], Baby [Remix] (Crooked I version)

Recommendations
What do you think?


Ja Rule – The Last Temptation

Ja Rule
The Last Temptation
November 19, 2002
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100
Ja Rule - The Last Temptation

1. Intro // 2. Thug Lovin’ (feat. Bobby Brown) // 3. Mesmerize (feat. Ashanti) // 4. Pop Niggas (feat. Pharrell) // 5. The Pledge [Remix] (feat. NaS, Ashanti & 2pac) // 6. Murder Reigns // 7. Murder Me (feat. Caddilac Tah & Alexi) // 8. The Warning // 9. Connected (feat. Eastwood, Crooked I & Chink Santana) // 10. Emerica (feat. Young Life & Chink Santana) // 11. Rock Star // 12. Destiny [Outro]

Ja Rule hadn’t really had any major backlashes in his career up until the gruff-voiced reincarnation of Luther Vandross released The Last Temptation. Sure, that Fiddy guy didn’t like him too much and his old homeboy DMX had said some less than complementary things about him on record, but his first three albums had all been multi platinum sellers and booty bumping with J-Lo on I’m Real [Remix] and Ain’t It Funny [Remix] sure had been fun. It also seemed that because of How to Rob nobody in the hiphop community liked mr. Cent, and his debut album had been shelved, and he himself had been dropped from his record label, making him not a force to be reckoned with in the rap game.

Then Curtis Jackson got signed again, arguably to the biggest powerhouse label in hip-hop: Eminem’s Shady Records. He was talking shit again, about how Jeffrey was a sellout R&B artist and a 2pac imitating wanksta, and this time the world listened and nodded. So The Last Temptation desperately needed to re-establish Ja’s credibility.

At the same time Ja’s previous album had him and Irv Gotti finding a winning formula: Ja posturing grimily over hella slick beats with Ashanti singing a hook. This had sold Ja boatloads of albums and a stack of hit singles. He also had an audience to satisfy. And audience that wanted him to reprise Always on Time a couple of times.

These two contradictory ideas that stand at the foundation of The Last Temptation, a fascinatingly schizofrenic listen with a lot of truly mystifying choices being made.

After a rant of an intro things start off well enough with Thug lovin’which pick Whitney Houston’s then-hubby Bobby Brown out of the crack rocks moth balls to aid Jeffrey in a smoothed-out song of rugged romance. Mesmerize is a decent sequel to Always on Time that samples, ironically enough, the same source material as Ghetto Qu’ran, the song that allegedly got F. Cent shot nine times. No surprises there, musically or lyrically.

Then Ja remembers the streets all of a sudden and invites Pharrell over for a DMX/Fiddy Cent disfest. Not much worth mentioning here except for that it raises the question whether or not Skateboard P willingly helped create a 50/X dis, or was simply asked for a beat and e-mailed his most generic, never even remembering the fact and being hella surprised when the Murder Inc. paycheck came in the mail.

Murder Reigns samples Toto’s Africa of all things and has Ja going all 2pac/martyr on the listener. Speaking of the man, his disembodied voice can be heard on the outro of The Pledge [Remix], which also samples his own So Many Tears, for the beat. That’s fucking blasphemous, and I’m not even really that much of a Pac fan. The fuck NaS!? Were you threatened with grievous bodily harm into participating with this ridiculous horseshit? It would seem that there’s even a subliminal Snoop Dogg-diss in Ja’s verse, this was most likely instigated by Suge who gets a shout-out.

The title track had Irv Gotti breaking out a Rappers Delight-esque faux disco beat, and features the Notorious B.I.G.’s one-time dip on the side Charlie Baltimore dueting Jeffrey, who reverts back to his old constipated Barry White with laryngitis tricks on the hook, making the song unlistenable even though Baltimore actually sounds pretty good.

Murder Me draws inspiration from Anniversary by Tony! Toni! Toné!, and has Ja breaking out some of the worst sex lyrics The Last Temptation‘s side of Pretty Ricky’s Your BodyThe Last Temptation is by far hip-hop’s largest, most decadent waste of a sampling budget since Puff Diddy reigned over the charts. But apparently they saved the money on guest appearances, because except for Pharrell’s blink-and-you’ll-miss-it appearance on Pop Niggaz and Nasir’s verse, there’s no one on here who wouldn’t work for food. One has to wonder whether Gotti ever truly considered releasing albums by the likes of Caddilac Tah and Young Life.

Because Suge cleared the 2pac raping-and-pillageing that was Pain on Pain is Love and The Pledge [Remix] on here, two Death Row records get to spit alongside Jeffrey on Connected. It’s a highlight, what with Chink Santana’s Nate Dogg-esque vocals on the hook and his Dat Nigga Daz aping beat and Crooked I and Eastwood providing the best verses on this project, bar NaS. Emerica is another ecstasy anthem and Ja’s worst one yet.

Rock Star goes for the tried-and-true throw-some-rock-guitars-on-a-hip-hop-song-and-hope-for-crossover-appeal gimmick. Fans of both genres should hang their heads in shame.

The outro is a pretty decent machine gun funk beat, and Jeffrey certainly does his best with it, but ultimately it’s too little, too late.

Ja Rule actually held the advantage in the 50 Cent thing, up to this point, having sold milions of records and with nobody knowing who Curtis was. With this album however he more or less killed his own career before 50’s practice round was even over and his first real blow, in the form of Get Rich or Die Trying was even delt by at the same time trying to please everyone and being so self important that he creates music that borders on self-parody.

Best tracks
Thug Lovin’
Mesmerize
Connected
Destiny [Outro]

Recommedations
The above songs are some fanstastic naughties nostalgia, but the rest of this album is a total waste of time and money, and needs not be touched with a ten foot pole.


Irv Gotti Presents: the Inc.

Various artists
Irv Gotti presents: the Inc
July 2, 2002
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100
Various artists - Irv Gotti presents the Inc

1. Intro (Irv Gotti, Chink Santana, Ronnie Bumps & Caddilac Tah) // 2. Gangstafied (Ja Rule, Caddilac Tah & Chink Santana) // 3. Down 4 U (Ja Rule, Ashanti, Vita & Charlie Baltimore) // 4. Nobody Does It Better (Charlie Baltimore & Ashanti) // 5. It’s Murda (Caddilac Tah, Chink Santana & D.C.) // 6. The Pledge (Ashanti & Caddilac Tah) // 7. Ride With Us (Jody Mack, Black Child & 0-1) // 8. O.G. (Black Child) // 9. The Rain (Jody Mack, 0-1 & Ja Rule) // 10. Here We Come (Vita, Irv Gotti & Ronnie Bumps) // 11. We Still Don’t Give a Fuck (Ronnie Bumps, D.O. Cannons, Young Merc, Jody mack, Rah, 0-1, Charlie Baltimore, Caddilac Tah & Black Child) // 12. 1 Hearse, 2 Suburban (Black Child, Ronnie Bumps & Young Merc) // 13. Ain’t It Funny [Remix] (Jennifer Lopez, Ja Rule & Caddilac Tah) // 14. Tha Nexx Niggaz (Chink Santana, Eastwood, Crooked I, Ronnie Bumps, Dave Bing, Black Child & Caddilac Tah) // 15. DC Joe [Skit] // 16. Hold On (Chink Santana)

A huge step up from Irv Gotti Presents: the Murderers but that’s not saying much. The production is slightly better than on either Pain is Love or Ashanti, which is saying something because production was mostly what those albums have going for them.

The fact that this manages to still be a less pleasant listening experience than either of those two albums is because this is ment to promote a revolving door cast of people nobody wants to hear record music. The best tracks on here feature vocals by people who already were known to the general public, so it’s a total failiure in that aspect. The only new guy who comes off as semi decent is Chink Santana who adds a faux West Coast vibe to some of these tracks with his Nate Dogg meets Bone Thugs vocals on some of the refrains and his Daz Dillinger-esque beats.

One bit of trivia will be of interest to fans of today’s hiphop. Crooked I makes a brief appearance on the posse cut Tha Nexx Niggaz, with Eastwood, because Death Row records, his record label at that time, had some kind of side deal with the Inc. that required Row and Inc. artists to appear on one another’s projects. Not that one-and-a-half bar by Crooked I make the Nexx Niggaz a must-listen or anything. And the gazilion bars by the likes of Caddilac Tah and Black Child will make any fan of well-written rap’s head explode. At least Crooked gets his contribution out of the way early, so you can turn that shit off when he’s done and get on with your life.

Not that everything here sounds like shit. Down 4 U is a prime Ja-Ashanti duet for those who are into that sort of thing, the Pledge is mostly Ashanti doing her thing over a bastardised 2pac beat. And Gangstafied, the opening track has a beat so teriffically ominous that even Caddy and Ronnie Bumps can’t completely wreck it, although not for lack of trying, mind you.

If this album were stripped of all the vocals of weed carriers and replaced by those of Jeffrey, or better yet a competent rapper like for instance the previously mentioned Crooked I, this might’ve been a rather decent album. Alas it is what it is.

Best tracks
Gangstafied
Down 4 U
The Pledge

Recommendations
Download the above tracks of iTunes or Amazon or Spotify.


Ashanti – Ashanti

Ashanti
Ashanti
April 2, 2002
Murder Inc. Records/ Def Jam Recordings/ UMG
060/100
Ashanti - Ashanti
1. Intro // 2. Foolish // 3. Happy // 4. Leavin (Always on Time [Part II]) (feat. Ja Rule) // 5. Narrative Call [Skit] // 6. Call // 7. Scared (feat. Irv Gotti) // 8. Rescue // 9. Baby // 10. Voodoo // 11. Movies // 12. Fight (Over) [Skit] // 13. Over // 14. Unfoolish (feat. the Notorious B.I.G.) // 15. Shi Shi [Skit] // 16. Dreams // 17. Thank You

When listening to the snippets of hit singles Ashanti was featured on prior to recording this album, on the intro, one gets the impression that Ashanti’s number-one asset, besides looking gorgeous, is her ability to peacefully co-exist with nearly any rapper on a track. Even though she always sings in key and, more impressively, never engages in Stevie Wonder-esque melisma, like Beyoncé does always, she also never was the standout thing about the song she was featured on. That’s not to say she doesn’t bring anything to the table, far from it. Classic rapped/sung collaborations such as Always on Time and What’s Luv? wouldn’t have clicked remotely as well as they did without our hostess’ presence. It’s just that she was always there in a anonymous studio singer #9205 capacity, rather than as the next big R&B diva.

Yet and still Ashanti was the beginning of a several multi-platinum album career, not by having her trying to be Beyoncé, but by using her strengths. Ashanti walks through her debut album at a steady pace without so much as breaking a sweat, showing the world that if nothing else she’s at least an unrivaled mistress of lithe. With Irv Gotti and his second-in-comands 7Aurelius and Chink Santana breaking out soul sampling productions covered in a thin layer of shimmer powder, which is blown into the athmoshere via swooshing wind-effects.

Everything is tastefully done. With the absence of useless oversinging goes a absence of useless drama. When here relationship is good Ashanti isn’t Crazy In Love, but rather she is Happy. When she’s lamenting her inability to get out of a sour relationship with clarity on Foolish you have the feeling she’s going to be alright. You are proven correct on the Biggie mash-up sequel Unfoolish, twelve tracks later. She also does sensual better than many a contemporary, on tracks such as VoodooMovies and Baby, simply by putting her sexual confidence casually rather than making some sort of pseudo-bold statement out of it.

Finding highlights or low points on here is hard. A high point could be Unfoolish because it makes rather clever use of two Notorious B.I.G. verses plus ab-libs previously heard on his own Fuck You Tonight. The deal is, Debarge’s A Dream, which is sampled extensively on both Foolish and Unfoolish is also used B.I.G.’s own 1994 single One More Chance [Remix]. So what you have here is vocals and instrumentals of two B.I.G. songs mashed-up with Ashanti thrown in for good measure.

A low point is when Ashanti and Ja decide to reprise Always on Time but fail to come up with something catchy, and Jeffrey’s raspy voice nearly disrupts the impeccable, rippling flow of the album, which is otherwise nearly flawless. It really says it all that if Ashanti and these producers do their thing for an entire album without missing a step, and that only guest artists can influence the quality, either positively or negatively.

Best tracks
Foolish, Unfoolish, Happy, Baby

Recommendations
If you’re looking for sparkly, slight, cute pop-R&B that evaporates from the human conscience immediately and completely when you turn it off, Ashanti is your way to go. She certainly doesn’t suck, nor does she demand a purchase. I recommend a buy, but with the lowest priority.


Ja Rule – Pain Is Love

Ja Rule
Pain Is Love
October 2, 2001
Murder Inc. Records/ Def Jam Recordings/ UMG
060/100
Ja Rule - Pain Is Love

1. Pain Is Love [Skit] // 2. Dial M for Murder // 3. Livin’ It Up (feat. Case) // 4. The INC. (feat. Caddilac Tah, Black Child & Ashanti) // 5. Always On Time (feat. Ashanti) // 6. Down Ass Bitch (feat. Charlie Baltimore) // 7. Never Again // 8. Worldwide Gangsta (feat. Caddilac Tah, Black Child, Boo & Gotti) // 9. Leo [Skit] // 10. I’m Real [Murder Remix] (feat. Jennifer Lopez) // 11. Smokin’ & Ridin’ (feat. Jodie Mack & 0-1) // 12. (feat. Missy Elliot & Tweet) // 13. Big Remo [Skit] // 14. Lost Little Girl // 15. So Much Pain (feat. 2Pac) // 16. Pain Is Love

Ja Rule’s debut wasn’t so much good or promising as it was well-produced. His sophomore album sucked so much forcing people to listen to it could be a decent alternative to waterboarding. The Murderers album was even worse and the Fast and the Furious soundtrack was pretty goddamn underwhelming. Despite these minor quality complaints each and every one of them got gold to multi-platinum sales, thereby granting Jeffrey Atkins the chance to record a third solo album and also in the process giving Murder Inc. a large stack of plaques to hang onto the Crackhouse (the Murder Inc. recording studios) walls. It also lead to Ja becoming hottest MC in the game whose gravelly falsetto popped up on every second song on the radio, not limited to hiphop songs. Ja was pretty much 2001’s equivalent to Lil’ Wayne.

In the mean time the Murder Inc. sound, in a rather succesful attempt to become relevant evolved from something aching to DMX and his Ruff Ryders posse (Venni Vetti VecciIrv Gotti Presents… the Murderers) to an album that was split in the middle between that sound and something that sounded a lot like Sisqó with a severe laryngitis (Rule 3:36) to Pain Is Love.

Pain continues the evolution set in motion by songs like Between Me and You and Put It On Me and this album, like 3:36 is certainly made with both the streets and the pop charts in mind. The difference this time around however is that the line between the songs for the gangstas and the songs for the hoes is blurred. This is mostly due to new Inc. associate 7Aurelius, who co-produced most of Pain Is Love with label boss Irv Gotti and finally brought an identifiable production sound to the Murder Inc. label and Ja Rule the rapper, effectively making Ja his own man, owing little to DMX.

The flipside to this mostly positive development is that instead of being the DMX-clone he had been percieved as when his debut came out, he became a gangsta posturing 2001 approximation of Barry White, who even though he couldn’t rob an old lady if he were backed by the whole US army,  nevertheless included horribly a blasphemous word-for-word cover of an obscure 2pac song about ghetto hardship on his album with one verse by the Thug Life inventor himself thrown in for good measure. Not the best idea, that. This, as well as similarities between Jeffrey and Tupac, both vocally and appearance-wise, coincidental or not, would make the man a fish in a barrel when that 50 Cent character Ja had beef with would someday rise to prominence. But no-one could see that shit coming in 2001. And for a year or two Ja was the king of crossover thugs, sipping bubbly and rocking minks and Burberry hats like it was going out of fashion. (It was.)

Although lyrically he hadn’t evolved jack shit since his debut the new song-format and new producer, as well as the signing of R&B singer Ashanti, do give Ja the ability to pull some new tricks. Always on Time may be R&B to the point that it makes one wonder how Pain is Love ever ended up in the Hiphop department of your record store, but it is R&B par excellence and this tale of rugged romance is even well enough performed Jeffrey, whose gruff voice clashes wonderfully with 7’s sultry instrumental, that it is wholly derserving of its monster hit status. Ashanti’s syren call-esque hook is just icing on the cake. Her significance becomes clear when Ja gets to belt out his own hook, such as on the horrible pseudo futuristically produced, half-assed attempt at social commentary Lost Little Girl.

Another highlight is the Stevie Wonder sampling Livin’ It Up. This track was originally supposed to have appeared on 3:36 but Stevie wouldn’t clear the sample unless Murder Inc. would clear it of all its profanity, which they couldn’t do before the deadline. They decided to put the new, squeaky clean version on Pain is Love in stead. Although this censorship renders the song’s lyrics gibberish one would say that Jeffrey was never about lyrics and this in no way takes away from its effectiveness as a piece of wide-eyed, bouncy club fluff-fun.

Down Ass Bitch and I’m Real [Murder Remix] are pushing it. The former suffers from anther horrible Ja-the-singing-cookie-monster hook and a general Always on Time-redux sound. The latter has a Ja, who may or may not have had a couple too many Bacardi Breezers, get all cuddly, lovey-dovey with J-Lo, who makes everything even more awkward by dropping the N-word, even though she’s about as Afro-American as George W. Bush. The song works as a time travelling machine to the barely pre-9/11 time of this album’s release, but not so much as an actual song. X, featuring Missy Elliott who proves once again she sounds fine dueting anyone over any sort of beat, has that same cotton candy sound. But rightfully so, since the song is about the drug Ecstasy.

7Aurelius’ talent becomes even more apparent when on the posse cuts The INC.Worldwide Gangstas and Smokin’ and Ridin’  he makes even Jeffrey’s poppers and ecstasy carriers, who are too marginal to name individually, sound not like total shit.

Never Again has 7 and Irv flipping their slight pop sound to something just a little darker and Jeffrey even spits some not-entirely-inane lyrics on his experience of several existential problems, so that’s nice. It’s easily the best non-single off here.

Listening to Pain Is Love today one can easily see why it was such a hit with pop audiences worldwide. With a couple of unstoppable party singles, some even guiltier pleasures and a lot of rather bearable, inoffensive filler it makes for the perfect music to play in the background of a party. The big surprise is that except for I’m Real it hasn’t even aged as bad as one would think. It also made its creator the perfect stepping stone for Curtis Jackson, when he finally got to release an album, since by 2003 hiphop was getting pretty sick of him. Oh well.

Best tracks
Always On Time, Livin´ It Up, Never Again

Recommendations
You could go either way with this one. You could pick this up, but if you do you must make sure there’s no-one in the record store who could recognise you. Also make sure you tell the sales clerk that it’s an ironic gift or that it’s for a 2001-styled hipster theme party, or something. Then again your life will be just as much worth living if you never get to hear Lost Little Girl, so you could leave it wherever you found it without ever looking back, that’s fine too. With three million sold in the USA alone Pain is Love hardly needs your pity.


The Fast and the Furious (OST)

Various Artists
The Fast and the Furious (OST)
June 5, 2001
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100

1. Good Life [Remix] (Faith Evans feat. Ja Rule, Vita & Caddilac Tah) // 2. Pov City Anthem (Caddilac Tah) // 3. When a Man Does Wrong (Ashanti) // 4. Race Against Time II (Tank feat. Ja Rule) // 5. Furious (Ja Rule feat. Vita & 0-1) // 6. Take My Time Tonight (R. Kelly) // 7. Suicide (Scarface feat. Irv Gotti) // 8. The Prayer (Black Child) // 9. Tudunn Tudunn Tudunn (Funkmaster Flex feat. Noreaga) // 10. Hustlin’ (Fat Joe & Armageddon) // 11. Freestyle (Boo & Gotti) // 12. Rollin’ (Urban Assault Vehicle) (Limp Bizkit feat. DMX, Method man & Redman) // 13. Life Ain’t a Game (Ja Rule) // 14. Cali Diseaz (Shade Sheist feat. Nate Dogg) // 15. Didn’t I (Petey Pablo) 16. Put It On Me [Remix] (Ja Rule feat. Vita & Lil’ Mo) // 17. Justify My Love (Vita feat. Ashanti)

It’s a testament of Murder Inc. records’ popularity around the turn of the millenium that they were given the responsibility to create the soundtrack to the first volume in the series of underwhelming high budget Hollywood blockbuster films that seems to never stop spawning sequels that is the Fast and The Furious.

Since Irv Gotti was instrumental in bringing Jay-Z, DMX and Ja Rule to the general public one has to wonder what the hell happened to his tastes in rap music between those days and the moment Def Jam granted him his own label Murder Inc. Records. That was more or less the point I tried to make in my Irv Gotti Presents… the Murderers review. And it rings tue here too. Vita, Caddilac Tah and Black Child ruin an otherwise perfectly functional opening track: Faith Evans’ Good Life [Remix]. When they get to suck on their own the results are even worse. Pov City Anthem, The Prayer and Justify My Love are two instances of instantly skippable loudmouth wanksta rap and a ridiculous cover of a ridiculous Madonna song. Ja Rule himself doesn’t come off too well  either. Fuck You, lifted from his horrible sophomore album Rule 3:36, justifies DMX’s complaints about Ja taking his style and pissing all over it. Life Ain’t a Game has him sing-howling his way through a pseudo futuristic DaMizza beat. The one Rule joint here that warrant repeated listens is the radio edit of his hit single Put It On Me, which now includes Lil’ Mo. Since Ja’s 2000 solo album 3:36 includes an inferior Lil’ Mo-less version of the song there’s quite literally no reason to buy that. If anything that might give this album a raison d’être. And even that track is more of a “Haha, can you believe we used to listen to that shit ten years ago?” kind of guilty pleasure-y thing rather than an actual good song.

Luckily there’s more to it than Ja and Irv Gotti’s merry band of soon-to-be-stars this time around. Tank’s rendition of Ja Rule’s Race Against Time sounds pretty good. R. Kelly does his R. Kelly thing on Take My Time Tonight which will neither gain nor cost the man fans. Suicide has southern hip-hop veteran Scarface flip a line from Snoop Dogg’s Serial Killa to decent effectand for fansof Shade Sheist, Petey Pablo, Boo & Gotti, Terror Squad, Noreaga (you’re forgiven if you’ve never heard of any of these artists, none of them are relevant any more) and fucking Limp Bizkit there’s something to be found here.

Production varies from decent (Suicide, Race Against Time) to horrible (Rollin’ (Urban Assault Vehicle), Life Ain’t A Game). And so does everything else. This makes for incredibly inessential listening. Still, for the Murder inc. Record label this was a step up after Irv Gotti presents… The Murderers and Rule 3:36. In part this has to do with the hired talent but also with their latest signee Ashanti and their new producer 7Aurelius. Perhaps Pain Is Love will be the first Murder Inc. Release since Venni Vetti Vecci that will not be a chore to listen to, huh?

Best tracks
Race Against Time II, Suicide, Put It On Me [Remix], *Good Life [Remix]

*Technically not on any edition of this soundtrack, but most likely found on a DJ Clue mixtape. Replaces the Ain’t No Nigga beat with a less distractingly familiar one. It also replaces bullshit Caddilac Tah and Vita verses with lukewarm but inoffensive Ja Rule.

Recommendations
Buy the above tracks off Amazon.