Category Archives: RUN-D.M.C.

Run-D.M.C. – King of Rock

Run-D.M.C.
King Of Rock
January 21, 1985
Profile RecordsArista Records/ SME
070/100
RUN-DMC - King of Rock

1.Rock The House // 2. King Of Rock // 3. You Talk Too Much // 4. Jam-Master Jammin’ // 5. Roots, Rock, Reggae // 6. Can You Rock It Like This // 7. You’re Blind // 8. It’s Not Funny // 9. Daryll And Joe (Krush Groove 3)

It’s 1985 and Run DMC releases its second album. The first album brought a whole new sound to the fledgling Hip-Hop genre. The eponymous debut was the first real Hip Hop album (as opposed to singles and compilations that were released prior) and so there were certain expectations for their sophomore album. Would the group still have its big beats, loud MC-ing, guitars and Jam Master Jay on the wheels of steel? Would Run DMC still have that edgy sound? Or would they switch up their style and once again revolutionise the genre, like they did last time around?

At the time of release this album became a commercial hit but that doesn’t answer any of these questions.

After repeated listens I did manage to find some answers.

Rock The House, announces itself with the expected big beats, accompanied by subtle rhythmic patterns. The MCs introduce themselves while the sparse sound is impressive. This track sounds fresh.

King Of Rock is the title track and filled with big beats, guitars, rhyming and has a rock-sound that slightly awakens my inner head banger. This track sounds so righteous in the description Rock-Rap. As I’m writing this track is on repeat for the third time in a row. DMC brags “And I even make the devil sell me his soul” and makes it sound believeable. So far this album is pretty bad-ass and meets the expections one has of Run DMC. The urge to play air guitar on the ending of this track helps make it a guilty pleasure. Seriously, give me a guitar!

You Talk Too Much is the third track and kind of brings the momentum to a halt.

Peep the chorus:

You talk too much.
You never shut up.
You talk too much.
You never shut up.

Guess what this track is about? Seriously this poppy sounding rapping over a typical instrumental, dissing people who talk too much after Rock-Rap awesomeness is part of the album? I’d rather read an entire phonebook than ever listening to this one again, less boring and repetitive. Apparently the song was a success in the 1985, but so were glow-in-the-dark spandex pants. Jam-Master Jammin picks up the pace again. Beats and samples with rock guitars shredding, sounding more enjoyable. Some rhyming by Run and Daryll and all is all good again, for now at least.

Roots, Rap, Reggae follows the raw beat driven sound with relaxing beats and a positive message. Yes alcohol and drugs are dangerous. Tell me something I don’t know… Can You Rock It Like This starts off sounding very poppy. A synthesizer, guitar and drum machine support the MCs in a track that rants about fame and being in the public eye. Lyrically this track is very interesting. Added bonus, you can dance the robot to it! Instrumentally this track is remarkable. It sounds Pop, has a disco feel with a Rock edge and manages to be is both catchy and lyrically meaningful. I’m slightly stunned by the awesomeness

You’re Blind is a soft-rocker with raw beat driven sound. The title should warn you but basically Run and Daryll talk about how people on the wrong path of life are “blind”. The epitome of preachy on this album.

It’s Not Funny, follows. It’s basically about dealing with setbacks in daily life. A preachy and bland low point, yet not so bad that you can’t practice your street dancing moves to it, if you ask me. Jam Master Jay’s productions is quite comical though. At least the humour isn’t lost in the sample.

Daryll And Joe closes the album. It’s a good closer since the lyrics are less preachy and more down to earth than what comes before it. Daryll: “I’ve got more hats than the mad hatter”. Instrumentally “Daryll And Joe” is a slow jam, groovy with some exceptional samples that give an epic feel to the overall sound.

Jam Master Jay made something special of this track.

After a few listens the album grew on me, even if though it is a mixed bag. The first two tracks are great. Jam-Master Jammin up to “Can You Rock It Like This” are good listens too. You Talk Too Much is godawful.  The preaching continues with You’re Blind and It’s Not Funny and Daryll And Joe are a good closing round. Basically their sound hasn’t changed at all, Run and DMC are still loudmouths. And the when Jay summons guitars there is a pleasant rock edge present.

The lyrics are still mostly preaching nursery-rhyming and rapping, and sometimes the duo overdoes it to its own disadvantage bordering on self-parody. I get the Sesame Street feel with the childish You Talk Too Much which makes me understand why some people don’t take this old school trio serious as lyricists and call Run DMC ‘party’ rap. I tend to disagree because  Jam Master Jay’s skills behind the boards are taken out of the equation in that way, which should elevate the group to a higher status. He made some changes to his sound on this album: more variation in the samples, more intertwining rhythm patters, more layered cuts. If anything, I’m amazed by his skills on albums from almost thirty years back and it is mostly his show.

Best tracks
Rock The House
King Of Rock
Can You Rock It Like This
Daryll And Joe

Recommended
Considerably less good than the debut, still consistently listenable with some gems of stand-out tracks. Yes.

My regards,

Rura88

 

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Run-D.M.C. – Run-D.M.C.

Run-D.M.C.
Run-D.M.C.
March 27, 1984
Profile Records/ Arista Records/ SME

090/100
RUN DMC - RUN DMC

1. Hard Times // 2. Rock Box // 3. Jam-Master-Jay // 4. Hollis Crew (Krush-Groove 2) // 5. Sucker M.C.’s (Krush-Groove 1) // 6. It’s Like That // 7. Wake Up // 8. 30 Days // 9. Jay’s Game

Usually Bonkers writes about Hip Hop and Rap. Given He’s more into Ja Rule I’ll write about this iconic trio. Besides I wouldn’t want to trade with him. The Ja Rule/Murder Inc. stream of … was too much of a nuisance for my tastes even as a teen. Enough about that rubbish.

Run-D.M.C. consisted of Reverend Run a.k.a. Joey Simmons, D.M.C. a.k.a. Darryl McDaniels and Jam Master Jay a.k.a. Jason Mizell. Run’s brother Russell (Rick Rubin’s partner in founding Def Jam, early eighties) suggested Joey to work with a Darryl as partner MCs and after finishing high school Jason joined the two in 1982. Run DMC was complete and in 1983 It’s like that/Sucker M.C.’s saw the light of day. The first singles introduced a whole new sound to hip-hop. A RUN-D.M.C. song typically consisted of rapping over big sparse beats, minimal compositions, guitars shredding and Jam Master Jay showcasing his turntable skills. It was a total departure from the oversampled Soul and Disco driven sound best exemplified in Rappers Delight. Gone with the slick, in with the raw new sound. Run DMC’ new approach to Hip Hop influenced many contemporary rap artists, but it also had a cross-genre influence, felt also the Rock and Industrial scene. Skinny Puppy’s Pro-Test is a great example.

I press play and prepare, Hard Times, a Kurtis Blow cover, tells about financial hardship in daily life. The drum machine, effects and MCs become audible. A serious message in fresh rhymes and beats. Rock Box exemplifies all that made Run DMC awesome, inventing Rap-Rock with this one track . If you don’t cath my drift on how catchy this is understand: as I’m typing I have have a hard time supressing  the urge to play air guitar, on an old school Hip Hop track of all things. One could almost head bang to this eighties gem. I won’t even bother elaborating about the lyrics in my moment of utter enjoyment while I listen to some bragging over screaming guitars.

B-Boys and B-Girls of all nations gather, Jam-Master-Jay is Jam Master Jay exhibiting DJ his skills over breaks, beats and samples accompanied with some exemplary rhyming by Run and D.M.C. Hollis Crew continues with more break beats. What more can one say? One could even imagine Chuck Berry nodding his head to this. Given the MCs have great articulation while continuing their bragging, their dismissal of Sucker M.C.’s is justified. The breaks and samples sound somewhat repetitive but the lyrical flow is great. “You’ve got to know when to start when the beats commence”, the last line in this track says it all.

It’s Like That is included in its original incarnation, the one without the pumping beats. It’s basically a slower take on Hard Times. It’s the better track of the two, what with its “But it’s like that and that’s the way it is” chorus. The urgency of the lyrics gives it a timeless feel for the post eighties era. Musically Jam Master Jay is being quite adventurous on this track. Jam Master Jays reliance on the drum machine and only a few sample results in nicely layered parts and as well as very effective minimal parts on this one song. The usage of little soundbites interchanged with bass lines and big beats really makes this really enjoyable

Wake-Up is a smoother track about making the world a better place, with Jay again making the most of the instrumental with only a few samples and sound effects being used. His walls of sound with the snore in the background, early eighties ingenuity. 30 Days follows it as a danceable nod to the ladies with a wink to the Weather Sisters’ and the bragging continues. This is the most ‘poppy’ track on the album actually. But don’t be afraid that it’s downhill from there; Jay’s Game continues the Hip-Hop while the break beats enter your conscience leaving you no option but to bob your head to Jay’s crafty creation. No rapping here, just breaks and samples . I give in and move around on my chair while trying to type. (Needless to say I had to make a few corrections.)

There’s something that still requires some explanation. I didn’t really write about the lyrics and I already gave some hints. Run and DMC rhyme and brag their way through this album in their often playful yet preachy style. The lyrical content varies from ‘we’re better than thou’ to ‘listen to our message’ and repeats itself. Compared to the much smoother Melle Mel for instance Run and DMC come off as preachy, which can annoy at times. Still, it mostly works well with Jam Master Jay’s instrumentals and this album is a joy to listen to. There’s no real filler, with its nine tracks there isn’t any room for it on this album, therefore the best tracks section doesn’t indicate that the rest is bad. On the contrary every track on the album serves a purpose and sounds pretty good to say the least.

Best Tracks
Hard Times
Rock Box
Sucker M.C.’s
It’s Like That
Jay’s Game

Recommendations
RUN-D.M.C. is an important piece of Hip-Hop history. (If the alliteration isn’t confirmation enough of a recommendation I’ll be more exact.) Buy this album, or at least give it a good listen because this 1984 album still sounds fresh today and its influence is being felt today still.

My regards,

Rura88