Tag Archives: Dave Bing

Irv Gotti Presents… the Murderers

Various artists
Irv Gotti presents… 
The Murderers
March 21, 2000
Murder Inc. Records/ Def Jam Recordings/ UMG

040/100

1. Intro // 2. Murderers (Ja Rule, Black Child & Tah Murdah) // 3. Dem Niggaz (Ja Rule, Black Child, Tah Murdah & Vita) // 4. We Don’t Give a Fuck (Ja Rule, Black Child, Tah Murdah & Vita) // 5. Clowns [Skit] // 6. Shit Gets Ugly // 7. We Murderers Baby (Ja Rule & Vita) // 8. Interview With Vita [Skit] // 9. Vita, Vita, Vita (Vita) // 10. How Many Wanna Die (Ja Rule) // 11. Fuck Parole [Skit] // 12. We Getting High Tonight (Black Child) // 13. Tales From the Dark Side (DMX) // 14. I Love The Yankees [Skit] // 15. Get It Right (Tah Murdah) // 16. We Different (Tah Murdah, Black Child & Ja Rule) // 17. Remo [Skit] // 18. Rebels Symphony (Ja Rule, Vita, Tah Murdah, 01 & Black Child) // 19. Black Or White (Black Child) // 20. The 187 Murda Baptist Church Picnic [Skit] // 21. If You Were My Bitch (Shade Sheist, Black Child, Tah Murdah & Ja Rule) // 22. 96R-0709 (Chris Black) // 23. Crime Scene (Dave Bing, Black Child, Ronnie Bumps, Tah Murdah & 01) // 24. Somebody’s Gonna Die Tonigh (Dave Bing feat. Lil’ Mo) // 25. Holla Holla [Remix] (Ja Rule feat. Jay-Z, Vita, Black Child, Tah Murdah, Memphis Bleek & Busta Rhymes)

Crew albums have always been popular in hiphop and if We Are Young Money and Cruel Summer are any indication they aren’t going anywhere. They have always sucked too. Who wants to hear a bunch of people rap who just happen to hold a more famous person’s pot for him or be his body guard? This is a problem with a wholly original interesting artist and his posse, since people usually aren’t thrilled to listen to poor imitations of a famous rapper, which is usually the result if you let all your friends have a turn in the booth. What is the result if the artist that is supposed to bring in the crowds is derivative himself? In the case of Ja Rule second rate gangsta’isms become third rate. The concept of originality is thrown down a flight of stairs and Ja’s weaknesses become painfully clear when we have him yelling clichés at piss poor beats with Mitsubishi Tah and Crack Child.

DMX comes around to show these busters Caddilac Tah and Black Child how it’s done on Tales from the Dark Side under the condition that he doesn’t have to share a song with them. It’s a favour to his homeboy Irv Gotti, not Jeffrey Atkins, who isn’t invited to the party either.

Irv Gotti presents the Murderers is a precursor to a lot of things. The Ja-DMX beef (Tales From the Darkside). Murder Inc. Records dumping the ill-fitting Ruff Ryders-esque style of hardcore rap for something a little more melodic (If You Were My Bitch). And the the rap careers of Caddilac Tah, Vita and Black Child being stopped in their tracks (everything else). These guys are so obnoxiously terrible that they actively ruin some pretty good beats on the rare occasions they get one such as on the bluesy We Getting High Tonight  and the G-funk throwback Get It Right. On the bonus remix of Jeffrey’s first hit single Holla Holla you’ll actually be relieved when Black Child’s verse ends even if he passes the torch to goddamn Roc-a-Fella Records nobody Memphis Bleek, after which Busta Rhymes run laps around everyone before him and Jeffrey is left to attempt to clean up the mess.

Best tracks
How Many Wanna Die, Tales From the Dark Side, Holla Holla [Remix]

Recommendations
Download the DMX song off iTunes.

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Ja Rule – Rule 3:36

Ja Rule
Rule 3:36
October 10, 2000
Murder Inc. Records/ Def Jam Recordings/ UMG

045/100

1. Intro // 2. Watching Me // 3. Between Me and You (feat. Christina Milian) // 4. Put It On Me (feat. Vita) // 5. 6. Feet Underground // 6. Love Me, Hate Me // 7. Die (feat. Tah Murdah, Black Child & Dave Bing) // 8. Fuck You (feat. 0-1 & Vita) // 9. I’ll Fuck You Girl [Skit] // 10. Grey Box [Skit] // 11. Extasy (feat. Tah Murdah, Black Child & Jayo Felony) // 12. It’s Your Life (feat. Shade Sheist) // 13. I Cry (feat. Lil’ Mo) // 14. One of Us // 15. Chris Black [Skit] // 16. The Rule Won’t Die

Jeffrey Atkins’ debut album Venni Vetti Vecci managed to sell over two million copies. That album boasted one massive hit single: Holla Holla which was made specifically for the dancefloor, but the rest of the album was a rather hardcore affair, in the tradition of DMX, not quite as good as X lyrically but still beter overall because the album lacked Swizz Beats fucking it up musically. On the follow-up Rule 3:36 the radio and the streets get equal time and attention, making it a rather schizophrenic affair. On the one hand there’s “hard” songs, such as Fuck You, where Ja tries to convince you that he definitely will fuck you up if he feels like it. On the other he is being the sensitive ladies man on Put It On Me, and he even cops to crying every once in a while on I Cry. This trans-demographic approach may have helped Ja sell hella albums and become the king of crossover thugs, but it didn’t give this album shelf life. Listening to it twelve years after it came out one must conclude that almost none of it works anymore.

The street songs are a lot more amped up than last time around, courtesy of Irv Gotti who apparently got a brand new casio keyboard for christmas. Ja adjusts accordingly by shouting, barking and singing his rhymes a lot more than on his debut. The results of this are that he finally becomes the poor man’s DMX he had already been oft accused of being in reviews of his debut. He gets assists from not a single A-list guest artist, but almost exclusively from his Murder Inc labelmates. Tah Murdah, Black Child, Vita, Dave Bing and 01 all suck at this rap stuff, and don’t add anything good to the proceedings.

On the radio songs he croons his heart out to the ladies, trouble is he has a horrible singing voice, sounding alot like a constipated person with a throat condition parodying Barry White. The ladies brought in to respond to his calls, Christina Milian, Lil’ Mo, are generic-as-hell singers who couldn’t inject personality into a performance if they had one.

The subject matter also doesn’t do the listener any favours. On the catchy yet hollow Between Me and You he brags about his homewrecking and cheating in such a wittless manner that one has to wonder what woman could possibly give a fuck. On Love Me, Hate Me he parades the fact that a lot of people want to bring him down because they are jealous of him. I prefer to think that even in 2000 there ware some people around with decent taste, who just wanted this bullshit off the radio. On the same track we learn that he fears that “[he] might get shot like Big & Pac for [his] genius.” I can’t see how Gotti let that one slide. Because DMX has songs about spirituality Rule decided he should have one too. One of Us is entirey awful, with Ja rewriting Joan Osborne’s What If God Was One of Us, and shouting what he came up with to the listener over an instrumental that sounds like something Swizz Beats might’ve puked out the next morning after a night of heavy drinking.

The album’s one good moment is Extasy, an ode to the drug where Rule interpolates a Barry White hook, Gotti provides the best instrumental of the evening, one that quite seccesfully emulates the feeling the drug gives its users, and where West Coast underground rapper Yayo Felony provides a stellar guest verse.

That’s it. That’s the only good song on here. Leave the rest of this alone like it is crack.

Best track:
Extasy

Recommendations:
Get Extasy off iTunes, leave the rest alone.