Tag Archives: DL

Irv Gotti Presents: the Inc.

Various artists
Irv Gotti presents: the Inc
July 2, 2002
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100
Various artists - Irv Gotti presents the Inc

1. Intro (Irv Gotti, Chink Santana, Ronnie Bumps & Caddilac Tah) // 2. Gangstafied (Ja Rule, Caddilac Tah & Chink Santana) // 3. Down 4 U (Ja Rule, Ashanti, Vita & Charlie Baltimore) // 4. Nobody Does It Better (Charlie Baltimore & Ashanti) // 5. It’s Murda (Caddilac Tah, Chink Santana & D.C.) // 6. The Pledge (Ashanti & Caddilac Tah) // 7. Ride With Us (Jody Mack, Black Child & 0-1) // 8. O.G. (Black Child) // 9. The Rain (Jody Mack, 0-1 & Ja Rule) // 10. Here We Come (Vita, Irv Gotti & Ronnie Bumps) // 11. We Still Don’t Give a Fuck (Ronnie Bumps, D.O. Cannons, Young Merc, Jody mack, Rah, 0-1, Charlie Baltimore, Caddilac Tah & Black Child) // 12. 1 Hearse, 2 Suburban (Black Child, Ronnie Bumps & Young Merc) // 13. Ain’t It Funny [Remix] (Jennifer Lopez, Ja Rule & Caddilac Tah) // 14. Tha Nexx Niggaz (Chink Santana, Eastwood, Crooked I, Ronnie Bumps, Dave Bing, Black Child & Caddilac Tah) // 15. DC Joe [Skit] // 16. Hold On (Chink Santana)

A huge step up from Irv Gotti Presents: the Murderers but that’s not saying much. The production is slightly better than on either Pain is Love or Ashanti, which is saying something because production was mostly what those albums have going for them.

The fact that this manages to still be a less pleasant listening experience than either of those two albums is because this is ment to promote a revolving door cast of people nobody wants to hear record music. The best tracks on here feature vocals by people who already were known to the general public, so it’s a total failiure in that aspect. The only new guy who comes off as semi decent is Chink Santana who adds a faux West Coast vibe to some of these tracks with his Nate Dogg meets Bone Thugs vocals on some of the refrains and his Daz Dillinger-esque beats.

One bit of trivia will be of interest to fans of today’s hiphop. Crooked I makes a brief appearance on the posse cut Tha Nexx Niggaz, with Eastwood, because Death Row records, his record label at that time, had some kind of side deal with the Inc. that required Row and Inc. artists to appear on one another’s projects. Not that one-and-a-half bar by Crooked I make the Nexx Niggaz a must-listen or anything. And the gazilion bars by the likes of Caddilac Tah and Black Child will make any fan of well-written rap’s head explode. At least Crooked gets his contribution out of the way early, so you can turn that shit off when he’s done and get on with your life.

Not that everything here sounds like shit. Down 4 U is a prime Ja-Ashanti duet for those who are into that sort of thing, the Pledge is mostly Ashanti doing her thing over a bastardised 2pac beat. And Gangstafied, the opening track has a beat so teriffically ominous that even Caddy and Ronnie Bumps can’t completely wreck it, although not for lack of trying, mind you.

If this album were stripped of all the vocals of weed carriers and replaced by those of Jeffrey, or better yet a competent rapper like for instance the previously mentioned Crooked I, this might’ve been a rather decent album. Alas it is what it is.

Best tracks
Gangstafied
Down 4 U
The Pledge

Recommendations
Download the above tracks of iTunes or Amazon or Spotify.


The Fast and the Furious (OST)

Various Artists
The Fast and the Furious (OST)
June 5, 2001
Murder Inc. Records/ Def Jam Recordings/ UMG
050/100

1. Good Life [Remix] (Faith Evans feat. Ja Rule, Vita & Caddilac Tah) // 2. Pov City Anthem (Caddilac Tah) // 3. When a Man Does Wrong (Ashanti) // 4. Race Against Time II (Tank feat. Ja Rule) // 5. Furious (Ja Rule feat. Vita & 0-1) // 6. Take My Time Tonight (R. Kelly) // 7. Suicide (Scarface feat. Irv Gotti) // 8. The Prayer (Black Child) // 9. Tudunn Tudunn Tudunn (Funkmaster Flex feat. Noreaga) // 10. Hustlin’ (Fat Joe & Armageddon) // 11. Freestyle (Boo & Gotti) // 12. Rollin’ (Urban Assault Vehicle) (Limp Bizkit feat. DMX, Method man & Redman) // 13. Life Ain’t a Game (Ja Rule) // 14. Cali Diseaz (Shade Sheist feat. Nate Dogg) // 15. Didn’t I (Petey Pablo) 16. Put It On Me [Remix] (Ja Rule feat. Vita & Lil’ Mo) // 17. Justify My Love (Vita feat. Ashanti)

It’s a testament of Murder Inc. records’ popularity around the turn of the millenium that they were given the responsibility to create the soundtrack to the first volume in the series of underwhelming high budget Hollywood blockbuster films that seems to never stop spawning sequels that is the Fast and The Furious.

Since Irv Gotti was instrumental in bringing Jay-Z, DMX and Ja Rule to the general public one has to wonder what the hell happened to his tastes in rap music between those days and the moment Def Jam granted him his own label Murder Inc. Records. That was more or less the point I tried to make in my Irv Gotti Presents… the Murderers review. And it rings tue here too. Vita, Caddilac Tah and Black Child ruin an otherwise perfectly functional opening track: Faith Evans’ Good Life [Remix]. When they get to suck on their own the results are even worse. Pov City Anthem, The Prayer and Justify My Love are two instances of instantly skippable loudmouth wanksta rap and a ridiculous cover of a ridiculous Madonna song. Ja Rule himself doesn’t come off too well  either. Fuck You, lifted from his horrible sophomore album Rule 3:36, justifies DMX’s complaints about Ja taking his style and pissing all over it. Life Ain’t a Game has him sing-howling his way through a pseudo futuristic DaMizza beat. The one Rule joint here that warrant repeated listens is the radio edit of his hit single Put It On Me, which now includes Lil’ Mo. Since Ja’s 2000 solo album 3:36 includes an inferior Lil’ Mo-less version of the song there’s quite literally no reason to buy that. If anything that might give this album a raison d’être. And even that track is more of a “Haha, can you believe we used to listen to that shit ten years ago?” kind of guilty pleasure-y thing rather than an actual good song.

Luckily there’s more to it than Ja and Irv Gotti’s merry band of soon-to-be-stars this time around. Tank’s rendition of Ja Rule’s Race Against Time sounds pretty good. R. Kelly does his R. Kelly thing on Take My Time Tonight which will neither gain nor cost the man fans. Suicide has southern hip-hop veteran Scarface flip a line from Snoop Dogg’s Serial Killa to decent effectand for fansof Shade Sheist, Petey Pablo, Boo & Gotti, Terror Squad, Noreaga (you’re forgiven if you’ve never heard of any of these artists, none of them are relevant any more) and fucking Limp Bizkit there’s something to be found here.

Production varies from decent (Suicide, Race Against Time) to horrible (Rollin’ (Urban Assault Vehicle), Life Ain’t A Game). And so does everything else. This makes for incredibly inessential listening. Still, for the Murder inc. Record label this was a step up after Irv Gotti presents… The Murderers and Rule 3:36. In part this has to do with the hired talent but also with their latest signee Ashanti and their new producer 7Aurelius. Perhaps Pain Is Love will be the first Murder Inc. Release since Venni Vetti Vecci that will not be a chore to listen to, huh?

Best tracks
Race Against Time II, Suicide, Put It On Me [Remix], *Good Life [Remix]

*Technically not on any edition of this soundtrack, but most likely found on a DJ Clue mixtape. Replaces the Ain’t No Nigga beat with a less distractingly familiar one. It also replaces bullshit Caddilac Tah and Vita verses with lukewarm but inoffensive Ja Rule.

Recommendations
Buy the above tracks off Amazon.


Irv Gotti Presents… the Murderers

Various artists
Irv Gotti presents… 
The Murderers
March 21, 2000
Murder Inc. Records/ Def Jam Recordings/ UMG

040/100

1. Intro // 2. Murderers (Ja Rule, Black Child & Tah Murdah) // 3. Dem Niggaz (Ja Rule, Black Child, Tah Murdah & Vita) // 4. We Don’t Give a Fuck (Ja Rule, Black Child, Tah Murdah & Vita) // 5. Clowns [Skit] // 6. Shit Gets Ugly // 7. We Murderers Baby (Ja Rule & Vita) // 8. Interview With Vita [Skit] // 9. Vita, Vita, Vita (Vita) // 10. How Many Wanna Die (Ja Rule) // 11. Fuck Parole [Skit] // 12. We Getting High Tonight (Black Child) // 13. Tales From the Dark Side (DMX) // 14. I Love The Yankees [Skit] // 15. Get It Right (Tah Murdah) // 16. We Different (Tah Murdah, Black Child & Ja Rule) // 17. Remo [Skit] // 18. Rebels Symphony (Ja Rule, Vita, Tah Murdah, 01 & Black Child) // 19. Black Or White (Black Child) // 20. The 187 Murda Baptist Church Picnic [Skit] // 21. If You Were My Bitch (Shade Sheist, Black Child, Tah Murdah & Ja Rule) // 22. 96R-0709 (Chris Black) // 23. Crime Scene (Dave Bing, Black Child, Ronnie Bumps, Tah Murdah & 01) // 24. Somebody’s Gonna Die Tonigh (Dave Bing feat. Lil’ Mo) // 25. Holla Holla [Remix] (Ja Rule feat. Jay-Z, Vita, Black Child, Tah Murdah, Memphis Bleek & Busta Rhymes)

Crew albums have always been popular in hiphop and if We Are Young Money and Cruel Summer are any indication they aren’t going anywhere. They have always sucked too. Who wants to hear a bunch of people rap who just happen to hold a more famous person’s pot for him or be his body guard? This is a problem with a wholly original interesting artist and his posse, since people usually aren’t thrilled to listen to poor imitations of a famous rapper, which is usually the result if you let all your friends have a turn in the booth. What is the result if the artist that is supposed to bring in the crowds is derivative himself? In the case of Ja Rule second rate gangsta’isms become third rate. The concept of originality is thrown down a flight of stairs and Ja’s weaknesses become painfully clear when we have him yelling clichés at piss poor beats with Mitsubishi Tah and Crack Child.

DMX comes around to show these busters Caddilac Tah and Black Child how it’s done on Tales from the Dark Side under the condition that he doesn’t have to share a song with them. It’s a favour to his homeboy Irv Gotti, not Jeffrey Atkins, who isn’t invited to the party either.

Irv Gotti presents the Murderers is a precursor to a lot of things. The Ja-DMX beef (Tales From the Darkside). Murder Inc. Records dumping the ill-fitting Ruff Ryders-esque style of hardcore rap for something a little more melodic (If You Were My Bitch). And the the rap careers of Caddilac Tah, Vita and Black Child being stopped in their tracks (everything else). These guys are so obnoxiously terrible that they actively ruin some pretty good beats on the rare occasions they get one such as on the bluesy We Getting High Tonight  and the G-funk throwback Get It Right. On the bonus remix of Jeffrey’s first hit single Holla Holla you’ll actually be relieved when Black Child’s verse ends even if he passes the torch to goddamn Roc-a-Fella Records nobody Memphis Bleek, after which Busta Rhymes run laps around everyone before him and Jeffrey is left to attempt to clean up the mess.

Best tracks
How Many Wanna Die, Tales From the Dark Side, Holla Holla [Remix]

Recommendations
Download the DMX song off iTunes.


Ja Rule – Venni Vetti Vecci

Ja Rule
Venni Vetti Vecci
June 1, 1999
Murder Inc. RecordsDef Jam RecordingsUMG
070/100

1. The March [Prelude] // 2. We Here Now (feat. Black Child) // 3. World’s Most Dangerous (feat. Nemesis) // 4. Let’s Ride //5. Holla Holla //6. Kill ‘Em All (feat. Jay-Z) // 7. I Hate Nigguz [Skit] // 8.Nigguz Theme (feat. Black Child & Case) // 9. Suicide Freestyle (feat. Case) //10. Story To Tell //11.Chris Black [Skit] //12. Count On Your Nigga //13. It’s Murda (feat. DMX & Jay-Z) // 14. E-Dub & Ja (feat. Eric Sermon) // 15. 187 Baptiss Church [Skit] // 16. Murda 4 Life (feat. Memphis Bleek) // 17. Daddy’s Little Baby (feat. Ronald Isley) // 18. Race Against Time // 19. Only Begotten Son // 20. The Murderers (feat. Black Child & Tah Murder)

Nowadays Jeffrey “Ja Rule” Atkins is considered by the general population as a total joke. Unlike his post 2Pac & Biggie contemporaries Jay-Z and DMX he isn’t ever brought up when the best rapper debate comes up, and his considerable string of big hits is considered too campy to ever become vintage. Perhaps the best indicator of his relevance today: his best viewed youtube video’s come mostly with a long ass string of comments about how 50 Cent trainwrecked Ja’s career, which is a bad thing, especially considering that nobody actually gives a fuck about mr. Cent himself in most other contexts anymore. In the years between 1999 and 2004 however Ja Rule was a bona fide superstar, releasing an album each year going platinum each and every time and hitting the charts more often with a smash hit single than you can shake a stick at. You don’t get that many people to hate you unless you get some serious exposure in the media, such is the way of the world people.

The way young Jeffrey got exposure in the first place was by aligning himself with producer Irv Gotti, who was instrumental in bringing both the previously mentioned DMX and Jay-Z to the general public. In 1998 Ja got his lucky break, being featured on the Gotti-produced Jay-Z hit single Can I Get a… When Irv got his on boutique label Murder Inc records, as a reward for his money making for Def jam during the previous couple of years, and needed a flagship artist to properly launch it with, the gravelly voiced whippersnapper was an obvious choice. And so the album Venni Vetti Vecci was born and released in the summer of ’99. The album was a commercial succes, selling a million copies in a month and a million more by 2002.

Critically however  Venni Vetti Vecci and Ja Rule himself were panned by everybody. It was said that Ja didn’t have a style of his own and was merely emulating the late 2Pac and his comrades DMX and Jay-Z with his gruff delivery and his nihilistic lyrics about thugs and life and thug life, his religious imagery (just take a look at that album cover) and his tales of existentialist fear and pimping (as well as other illicit manners of gathering currency).

While it is true that Jeffrey Atkins is not, was not and never will be a man of great original ideas, and does sound like a less lyrically gifted X a bit on his debut (they sound different enough for Ja not to be a biter in this reviewer’s expert opinion, but it’s easy to see where the comparison comes from.), he does outdo X here by giving the audiences a better debut album. The reason for that being possible is that X was handicapped by a serious case of the Swizz Beatz on his debut, while Ja’s beats are mostly provided by the capable hands of his label boss Irv Gotti, and a bunch of Murder Inc records lieutenants who all bring the heat here, and, unlike Swizz, are able to resist the urge of recording themselves jumping up and down on a Casio keyboard and passing those recordings off as beats. And with Ja being a competent, if unimaginative, MC the results are a very acceptable variation of the hard core New York sound of the late ‘90s. Those hiphop heads who are sceptical about the possibility of Ja having recorded a decently credible, high quality, album that doesn’t border on self-parody because of the mental image of him booty bumping with Jennifer Lopez in the video of one of their collabos, should keep in mind that the man hadn’t yet begun his transformation into his generation’s thugg’d-out Barry White.

Highlights include: the smash hit Holla Holla, where Ja rides the bubbling beat with a perfectly appropriate pogo-stick flow, creating a solid party jam for the ages, the speedy, high octane Let’s Ride, the ominous It’s Murda where our host gets ripped a new asshole twice by respectively the previously mentioned DMX and Jay-Z. The stupidly titled but catchy-as-fuck, organ infused Murda 4 Life, featuring the Roc-a-Fella Records’ second in command Memphis Bleek (a sparring parter Jeffrey can actually handle) the Isley Bother’s sampling and featuring Daddy’s Little Baby, which is a pretty genuine declaration of love aimed at his daughter, and Only Begotten Son which is a pretty genuine declaration of war aimed at his absentee father. (It is only on these latter two tracks that the 2Pac comparison starts to make sense.) But the rest of the album doesn’t lag far behind in quality.

If you, like most heads of my generation, are nostalgic for the ‘90s sound, but habitually won’t touch a Ja Rule album with a ten foot pole because of the glittery R&B songs, by all means give Venni Vetti Vecci a chance, there’s no Ashanti or J-Lo in sight. And chances are pretty fat you’ll be very pleasantly surprised. All the skits are ass (are they ever not?), the guest appearances by Ja’s Murder Inc labelmates Caddilac Tah and Black Child seriously detract from several otherwise good tracks, and you won’t find any relavations, insights or high quality poetry on here, but you will find something raw to bump in the ride and at the house party, plus your purchase of this album will help Jeffrey pay for his legal aid, so he may be able shorten the time in prison he is currently doing for not paying his taxes.

Best Tracks:
Holla Holla, It’s Murda, Murda 4 Life, Daddy’s Little Baby, Only Begotten Son

Recommendations:
Buy this album.