N.W.A and the Posse
November 6, 1987
Ruthless Records/ Macola Records
1. Boyz-N-the-Hood (Eazy-E) // 2. 8 Ball (N.W.A) // 3. Dunk the Funk (the Fila Fresh Crew) // 4. Bitch Iz a Bitch (N.W.A) // 5. Drink It Up (the Fila Fresh Crew) // 6. Panic Zone (N.W.A) // 7. L.A. Is the Place (Eazy-E & Ron-de-Vu) // 8. Dope Man (N.W.A) // 9. Tuffest Man Alive (the Fila Fresh Crew) // 10. Fat Girl (Eazy-E & Ron-de-Vu) // 11. 3 the Hard Way (the Fila Fresh Crew)
Never conventional N.W.A’s debut album is barely an album at all, but rather a collection of random-ass songs. Off course what are you expect when your ghetto-ass record label scraps some singles together and releases the fucker without your permission while you are on tour? This album is surely dominated by N.W.A with seven of the eleven tracks featuring some involvement by either the whole group or Eazy. It should be noted that most of the N.W.A tracks featured here would end up in superior remix capacity on either Str8 Outta Compton or Eazy’s Eazy-Duz-It.
Another notable act on here is the Fila Fresh Crew, which counted the D.O.C. among it’s ranks. As a whole this is a shoddy but promising album, but… the promising bit may just be retrospect talking. The sound is primitive and the songs are silly. Songs like L.A. Is the Place and Fat Girl, feature Eazy-E even giddier than usual spitting over some of the shittiest beatboxing since the dawn of hip-hop. Panic Zone is shitty Africa Bambaata impression.
The fact that all of the decent tracks are featured on other, better albums in better incarnations makes this one of the more inessential curiosity pieces out there. Unless you are a devout N.W.A stan who must own all things Eazy, you can just skip this one entirely and just start with Straight Outta Compton. It wouldn’t surprise me if not even Dr. Dre owns a copy of this anymore.
Bitch Iz a Bitch