Me Against the World
March 14, 1995
Out Da Gutta Records/ Interscope Records/ UMG
1. Intro (performed by Dan O’Leary, Debbie Hambrick, Jay Jensen, Jill Rose & Sarah Diamond) // 2. If I Die Tonite // 3. Me Against the World (feat. Dramacydal & Puff Johnson) // 4. So Many Tears (feat. Digital Underground, Stretch & Thug Life) // 5. Temptations // 6. Young Niggaz (feat. Killa, Funky Drummer & Moe Z.M.D.) // 7. Heavy In the Game (feat. Richie Rich, Ebony Foster & Lady Levi) // 8. Lord Knows (feat. G-Money, Kenyatta Forman, Killa, Kim Armstrong & Natasha Walker) // 9. Dear Mama (feat. Reggie Green & Sweet Franklin) // 10. It Ain’t Easy // 11. Can U Get Away // 12. Old School // 13. Fuck the World // 14. Death Around the Corner// 15. Outlaw (feat. Dramacydal & Rah Rah)
2pac is the JFK of rap: very charismatic, inspirational and influential, surrounded by drama during his lifetime and conspiracy theories in death, fairly popular when he was alive but never moreso than after he got shot and killed in the public eye and, if we’re being completely honest with ourselves, overrated as hell in what he actually achieved in the realm of the living while nobody can say with any accuracy just what the guy could and would’ve done if his ending was less premature.
It’s not as though the man didn’t leave a slew of commercially and artistically succesful releases in his wake. In fact every album he released up until this one has already gotten a recommendation for a purchase on this website. But he never dropped anything as significant as Ready to Die, Illmatic, Reasonable Doubt or The Chronic and the almost god-like reverence many people had for him, the phrase “best rapper dead or alive” was dropped casually in one sentence with the name 2pac on a regular basis, in the late ’90s and the naughties was ridiculous. A lot of people held the opinion that not only are Brenda’s Got a Baby, Keep Your Head Up and Dear Mama deep and meaningful songs (which admittedly they are), but that also they aren’t at all at a contradiction with his more violent, misogynistic, homophobic and otherwise less socially responsible moments, most infamously Hit ‘Em Up. In other words 2pac could get away with pretty much anything on his albums and still be considered a martyr and a saint, so long as he included at least one thoughtful or pseudo thoughtful track on there. The truth is probably that while 2pac, a classically trained actor mind you, was one of the few people in gangsta rap who could deliver both conscious material and hyper violence with equal fervour and credibilty, there was never as much of a unified vision to it as his fanboys would like you to believe. He was just really good at setting moods, no matter what that mood was. And it should be noted that 2pac may have lived a lot of shit he rapped about, he had been in prison and he may not have seriously known or believed it when he layed down some of those vocals but he would eventually meet a violent death in the streets, but there was a lot of fiction in his raps too: He never seriously was a drug dealer for instance and it was sort of mathematically impossibly for him to beef with everyone he mentioned on 7 Day Theory, so Pac may not have been the realest motherfucker to have ever existed, he was however life sized.