Tag Archives: Mr. Fingaz

Memphis Bleek – Coming of Age

Memphis Bleek
Coming of Age
August 3, 1999
Get Low Records/ Roc-a-Fella RecordsDef Jam Recordings/UMG
050/100
Memphis Bleek - Coming of Age

1. Pain In da Ass Intro // 2. Who’s Sleeping (feat. Reb) // 3.  Memphis Bleek is… // 4. What You Think of That (feat. Jay-Z) // 5. Murda 4 Life (feat. Ja Rule) // 6.  You’re All Welcome [Pain Interlude] // 7. Stay Alive in NYC // 8. You a Thug Nigga // 9. N.O.W. (feat. Da Ranjahs) // 10. Everybody // 11. I Won’t Stop (feat. Dark Half) // 12. My Hood to Your Hood (feat. Beanie Sigel) // 13. Why You Wanna Hate For (feat. Noreaga) // 14.  Regular Cat

Memp Bleek may be a lot of things, some of which are listed on the hook of this album’s Swizz Beatz produced monstrosity of a lead single Memphis Bleek Is…, but a good rapper is not one of them, and it wouldn’t surprise me if Jigga, who seems to not be in touch with him anymore these days, copped to only releasing this album so that the world would see just what it would be left with if he ever were to deliver on his threat to retire from rap music. This would certainly explain his lack of involvement with the project, except for his half-assed verse on What You Think of That he is nowhere to found. But perhaps he just had a lot of confidence in Bleek’s abilities.

Nah, that can’t be it. It would seem Jay-Z should know what good rap music sounds like.

Bleek’s problem is that his rapping style isn’t original or special in the least, which is nothing that good production cannot fix up to a certain point, but it’s still a handicap that prevents him from ever being able to release anything in the essential listening category, not unlike Ja Rule who makes an appearance. It is therefor unfortunate for Bleek that the production is mostly lacking. What’s up with that, Jigga? You couldn’t buy your boy some Timberland or DJ Premier tracks?

Still that doesn’t necessarily keep the man from creating radio fodder of varying quality given that the beats bang, knock or click and he can come up with catchy hooks or a gimmick.

Bleek’s hooks are what sink this ship, check the hook of the first single. Not that the Swizzy instrumental is something other rappers could turn into something good, but still this does sound like a really shitty version of NaS Is Like, and it is therefor not surprising he took offense. Also there’s What You Think Of That, which puts a perfectly functional beat to waste by repeating a stupid catchphrase dressed in nothing but generic gangsta’isms.

Where my niggaz at?
Where my bitches at?
I love these streets, what you think of that?
My whole team rock rocks, we don’t speak to cats
I’ma ball till I fall what you think of that?
What you think of that? What you think of that?
I’m a real ass nigga, what you think of that?
Where my niggaz at?
Where my bitches at?
I love these streets, what you think of that?
My whole team rock rocks, we don’t speak to cats
I’ma ball till I fall what you think of that?
What you think of that? What you think of that?
I’m a real ass nigga, what you think of that?

What think of this is best expressed in the immortal words of the Notorious B.I.G.

Disappear…vamoose…you’re wack to me,
Take them rhymes back to the factory.

Credit where credit is due however, Stay Alive in NYC is pretty decent for an amateur Jay-Z narrative, Is You a Thug Nigga has a pretty good beat and Murda 4 Life is as much a highlight here as it was on Ja Rule’s debut album on which it featured earlier, with its organ-infused Irv Gotti beat. Beanie Sigel and Noreaga also bring the heat with their respective guest appearances. Not that these above average sounding tracks salvage this album, this is still mostly stems and seeds.

For some reason however Coming of Age sold enough copies to warrant a stack of follow-ups, which means that in order to tell the Roc-a-Fella Records story I’ll have to hear another three of these albums. Groan.

Best tracks
Stay Alive in N.Y.C.
Murda 4 Life
Is You a Thug Nigga
My Hood to Your Hood
Why You Wanna Hate For

Recommendations
Don’t go near this one.

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Irv Gotti Presents… the Murderers

Various artists
Irv Gotti presents… 
The Murderers
March 21, 2000
Murder Inc. Records/ Def Jam Recordings/ UMG

040/100

1. Intro // 2. Murderers (Ja Rule, Black Child & Tah Murdah) // 3. Dem Niggaz (Ja Rule, Black Child, Tah Murdah & Vita) // 4. We Don’t Give a Fuck (Ja Rule, Black Child, Tah Murdah & Vita) // 5. Clowns [Skit] // 6. Shit Gets Ugly // 7. We Murderers Baby (Ja Rule & Vita) // 8. Interview With Vita [Skit] // 9. Vita, Vita, Vita (Vita) // 10. How Many Wanna Die (Ja Rule) // 11. Fuck Parole [Skit] // 12. We Getting High Tonight (Black Child) // 13. Tales From the Dark Side (DMX) // 14. I Love The Yankees [Skit] // 15. Get It Right (Tah Murdah) // 16. We Different (Tah Murdah, Black Child & Ja Rule) // 17. Remo [Skit] // 18. Rebels Symphony (Ja Rule, Vita, Tah Murdah, 01 & Black Child) // 19. Black Or White (Black Child) // 20. The 187 Murda Baptist Church Picnic [Skit] // 21. If You Were My Bitch (Shade Sheist, Black Child, Tah Murdah & Ja Rule) // 22. 96R-0709 (Chris Black) // 23. Crime Scene (Dave Bing, Black Child, Ronnie Bumps, Tah Murdah & 01) // 24. Somebody’s Gonna Die Tonigh (Dave Bing feat. Lil’ Mo) // 25. Holla Holla [Remix] (Ja Rule feat. Jay-Z, Vita, Black Child, Tah Murdah, Memphis Bleek & Busta Rhymes)

Crew albums have always been popular in hiphop and if We Are Young Money and Cruel Summer are any indication they aren’t going anywhere. They have always sucked too. Who wants to hear a bunch of people rap who just happen to hold a more famous person’s pot for him or be his body guard? This is a problem with a wholly original interesting artist and his posse, since people usually aren’t thrilled to listen to poor imitations of a famous rapper, which is usually the result if you let all your friends have a turn in the booth. What is the result if the artist that is supposed to bring in the crowds is derivative himself? In the case of Ja Rule second rate gangsta’isms become third rate. The concept of originality is thrown down a flight of stairs and Ja’s weaknesses become painfully clear when we have him yelling clichés at piss poor beats with Mitsubishi Tah and Crack Child.

DMX comes around to show these busters Caddilac Tah and Black Child how it’s done on Tales from the Dark Side under the condition that he doesn’t have to share a song with them. It’s a favour to his homeboy Irv Gotti, not Jeffrey Atkins, who isn’t invited to the party either.

Irv Gotti presents the Murderers is a precursor to a lot of things. The Ja-DMX beef (Tales From the Darkside). Murder Inc. Records dumping the ill-fitting Ruff Ryders-esque style of hardcore rap for something a little more melodic (If You Were My Bitch). And the the rap careers of Caddilac Tah, Vita and Black Child being stopped in their tracks (everything else). These guys are so obnoxiously terrible that they actively ruin some pretty good beats on the rare occasions they get one such as on the bluesy We Getting High Tonight  and the G-funk throwback Get It Right. On the bonus remix of Jeffrey’s first hit single Holla Holla you’ll actually be relieved when Black Child’s verse ends even if he passes the torch to goddamn Roc-a-Fella Records nobody Memphis Bleek, after which Busta Rhymes run laps around everyone before him and Jeffrey is left to attempt to clean up the mess.

Best tracks
How Many Wanna Die, Tales From the Dark Side, Holla Holla [Remix]

Recommendations
Download the DMX song off iTunes.